From Select December issue (1992): THE ORB Leicester Polytechnic The understanding was that the Orb would take the stage at around 9pm. It's now 9.30 and... and... what? They *could* be up there. It's difficult to tell... no, it's just one DJ, and a lot of zesty dance toons pounding into the hall. The tiles are slipping from the walls in the toilet with each resounding thump. The queue for the cloakroom is clogging up the route to the bar, and when the strobes start blinking everybody starts to look like so much television static... A word on the 'stage'. It is comprised of, on either side, two massive globes which are projecting lighting effects culled from every "Man From Uncle" episode you can think of. In the centre is a revolving star, The Orb's equivalent of the Batman insignia. What do you want, a band? It's 10pm and The Orb come on, finally. Cheering. A few strange noises from their direction. A snazzy intro, excellent. BOMMMMMMMM, it goes, BOM-BOM. BOMMMMMMMM, bom-bom. This goes on for a while. BOMMMMMMMM, bom-bom. Yes... and? After about (BOMMMMMM, BOM-BOM) ten minutes of this (BOMMMMMMMM) some of us (BOM-BOM) begin to feel a tad bored. Everyone is staring at the stage waiting for something. Thrash and Alex amble around, adjusting dials, looking busy, while all the time nothing is happening. Even the people on drugs know that nothing is happening. They sidle up to others and say, Is it just me or is nothing happening? Bang, it ends, at last, and the beats start up and the dancing begins again. What can you say about gigs such as these? The Orb on tour is as strange a concept as... I dunno, a pen going on tour. On your record player they are functionally pleasant, an unwinding device after a hard day spent listening to real music. Onstage they do their job and people generally have a good time. When they go all new age however, all action ceases and the effect is one of stupendous boredom (I actually saw someone yawning and dancing simultaneously, which seemed to sum the event up perfectly). After a wonderful blast of Gene Kelly doing 'Singing In The Rain', they depart, and we make our way, dazed, into the night air, thinking that it was not so much a gig as a happening. It was a happening in the sense that it happened. That's all that's really clear. Graham Linehan