A brief description of an artistic research about time and space composition. It is a poetic description of how Olivier Pasquet sees a universe he is willing to be discovered by other as one would discover the imaginary world of a novel. The text describes the imaginary engines constructing his time-based music compositions, and spatial scores. The work involves simple traditional compositional techniques such as set theory, and architectural design. The end describes one possible workflow for further work.
Citations are rather propositions for further reading.