• More thoughts and description of pieces: here.
• Selection here:
— Mollspeak — Unreal Spatial Synthesis for a Narration – Mollspeak – ICMC Seoul 2024
— Historical video dive into machinations and thinking things — here and here – 2021
— Musicologic analysis of herbig-haro from Jacob Hart – 2021
— Potentially interesting interview about my background – 2021
— From Hörspiel to offside – alternatives théâtrales revue 2021
— Rhythm for me – 2021
— An artistic path into spatial computing composition for generative music – zHdK – 2020
— Potentially interesting interview about generative music and narration in bacchantes – 2020
— Potentially interesting interview about theatre music and the ambiguity of machines in machinations and thinking things – 2018
— An individual assessment about the French institution Ircam – ongoing
— Unplanned project for inverted acoustics – 2017
— Automatic versus automatic, materialized fiction as a confrontational composition process – doctorate 2016
— Notes On Electronic Composition – 2015
— Parametric Composition – 2014
— 51 Peg b Project Proposition (French) – 2014
— Ambient Sound Spaces, with Philippe Codognet – 2009-2010
— Sound Scale Perspectives on the Contribution of Flute Sound Classification to Musical Structure, with Panayiotis Kokoras – 2008
— Theatres & Musiques, Algorithme Musique-Machine Collectif, thanks you to Antoine Gindt – 2005
• Downloadable selection of various texts: here.
• Bibliography of some papers and books with BibTeX: here
• A list of my scores (excluding a few): here